ÌÇÐÄlogoÈë¿Ú

At 16, I was diagnosed with a brain tumour, which meant leaving school without A-Levels. After completing a Foundation Certificate in English Literature, I was eager to continue my studies. When searching for full-time options, I wanted a university that supported students with disabilities and embraced different backgrounds. ÌÇÐÄlogoÈë¿Ú stood out for its personal touch. Unlike the generic responses I received elsewhere, a tutor took the time to personally reach out to me. That small human gesture made all the difference, and I knew ÌÇÐÄlogoÈë¿Ú was where I wanted to be.Ìý

Inspiring tutors and modulesÌý

One module encouraged us to use personal experiences in our creative work. I had been hesitant to let my brain tumour define me, but studying autobiographical performances changed my perspective. For my final year project, I wrote HAMBLETT, a play that explores living with a brain tumour and themes of mortality, with a comedic twist. I even took it to the Edinburgh Fringe in 2024! The whole process showed me how personal experiences can fuel creativity, and how studying performance practice can help with your own creative output. Tutors like Dr Lizzie Bennett were incredibly supportive, and Professor Fintan Walsh’s classes really expanded my perspective.Ìý

Studying theatre in the world’s theatre capitalÌý

One of the best parts of studying Theatre and English at ÌÇÐÄlogoÈë¿Ú was being in the heart of London. The city’s rich theatrical scene became part of my education. I would often rush from a matinee or exhibition to class and frequently made plans with classmates to attend performances. °Õ³ó±ð°ù±ð’s no better place to study theatre than London — it added a real-world dimension that was invaluable.Ìý

Finding career opportunities and mentorshipÌý

µþ¾±°ù°ì²ú±ð³¦°ì’s Careers and Enterprise team provided incredible opportunities. I was paired with a mentor from Arts Council England, which helped me reflect on my future in the arts. I was also honored to be one of two ÌÇÐÄlogoÈë¿Ú fellows at the British Pavilion at the Venice Biennale in 2023, which was a once-in-a-lifetime opportunity.Ìý

The great balancing actÌý

µþ¾±°ù°ì²ú±ð³¦°ì’s evening classes allowed me to balance my studies with work. I worked part-time as a student producer at Compton Verney Art Gallery in the Midlands while commuting to London for classes. The flexibility ÌÇÐÄlogoÈë¿Ú offers is one of its greatest strengths. Everyone is balancing something — work, family, or life in London — and ÌÇÐÄlogoÈë¿Ú is designed to support that.Ìý

Looking to the futureÌý

My time at ÌÇÐÄlogoÈë¿Ú helped me find my path. Originally focused on English Literature, I discovered a passion for theatre, which has shaped my future plans. ±õ’m now preparing for a longer run of HAMBLETT at the 2025 Edinburgh Fringe and will be pursuing postgraduate studies in Performance Studies. ÌÇÐÄlogoÈë¿Ú gave me the confidence to explore new creative paths and take risks, and ±õ’m excited for ·É³ó²¹³Ù’s next.Ìý