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Simone Wesner

  • Overview

    Overview

    Highlights

    • My work focuses on understanding cultural producers (artists and crafters) and their practice. In particular, I am interested in constructions of cultural value and artistic identity as placed in the interface between cultural policy and arts management.听

      My book , was published in 2018听by Palgrave Macmillan/Springer.

      Currently, I am working on听the Dataweave project, investigating cultural value creation such as听provenance at the intersection of traditional cultures of making and digital maker culture.听

    Web profiles

    Administrative responsibilities

    • Programme Director, MA in Arts Policy and Management

    Honours and awards

    ORCID

  • Research

    Research

    Research interests

    • artists cultural policies
    • craft cultures (weaving values and provenance)
    • methodologies (grounded theory, longitudinal research, participatory databases)

    Research overview

    My research focuses on artistic and cultural careers and the development of working and cultural practises as seen through a cultural policy lens. I am largely interested in non-economic value creation and how cultural, political and social change influences career development and artistic practice over time. I designed and work with data from the听Visual Artists Cohort Study, one of the first longitudinal projects in this field that investigates the long-term impact of East/West regime change on career development. As cultural policy researcher, I work inter-disciplinarily, drawing from cultural and communication studies, human philosophy, artist management and cultural sociology. In methodological terms, I feel at home when using a grounded theory approach to explore and interpret experiences.

    Research Centres and Institutes

    • member,
    • FMACS representative,
    • member,

    Research projects

    Provenance and the crafts: Warping the loom

  • Supervision and teaching

    Supervision and teaching

    Supervision

    Areas of research supervision:

    • Arts policy and artists鈥� careers,
    • Artistic identity and professionalisation of artists,
    • Cultural value creation in craft production,
    • Virtual arts environments,
    • Grounded theory

    听

    听

    Current doctoral researchers

    • MAOLIN YANG

    Teaching

    In my teaching, I bring together current cultural policy developments and interpretations of culture with practical managerial issues in a reflective and critical approach to arts management. 

    Teaching modules

    • Audiences: Communities, Participation and Learning
    • Career Development and Professional Pathways in Arts, Humanities and Social Sciences
    • Dissertation
    • Understanding Creative Industries Management and Policy
    • Industry Placement/Career Development Report
    • Researching the Creative Industries
    • Inside Out of Culture: organisations, placements and practice
  • Publications

    Publications

    Article

    • Wesner, Simone (2022) . International Journal of Cultural Policy 28 (7), pp. 858-874. ISSN 1028-6632.
    • Lee, H.-K. and Wesner, Simone (2018) . International Journal of Cultural Policy 24 (1), pp. 142-143. ISSN 1028-6632.
    • Wesner, Simone (2010) . International Journal of Cultural Policy 16 (4), pp. 433-448. ISSN 1028-6632.
    • Hitchcock, M. and Simone, Wesner (2009) . Asia Pacific Business Review 15 (2), pp. 265 -282. ISSN 1360-2381.
    • Wesner, Simone and Hitchcock, M. and Putra, D.I.N. (2007) . Indonesian and Malay World 102, pp. 211-230. ISSN 1363-9811.
    • M眉ller-Rolli, S. and Wesner, Simone (1992) . Neue Sammlungen 3, pp. 405-424.

    Book

    • Wesner, Simone (2024) . Routledge Research in the Creative and Cultural Industries. London, UK: Routledge. ISBN 9780367753054.
    • Wesner, Simone (2018) . New Directions in Cultural Policy Research. Basingstoke, UK: Palgrave Macmillian. ISBN 9783319760568.
    • Wesner, Simone, ed. (1998) . Leipzig, Germany: Universit盲tsverlag Leipzig.
    • Wesner, Simone and Palka, A. (1997) . Strasbourg, France: Council of Europe.

    Book review

    • Wesner, Simone (2025) .
    • Wesner, Simone (2022) .
    • Wesner, Simone (2020) .

    Book section

    • Wesner, Simone and Wright, D. (2026) . In: Kleppe, B. and Primorac, J. and Pyykk枚nen, M. and Wright, D. (eds.) Creative and Cultural Work in Europe. Routledge, Taylor & Francis. pp. 35-48. ISBN 9781032978130.
    • Wesner, Simone (2022) . In: DeVereaux, C. (ed.) Managing the Arts and Culture: Cultivating a Practice. Abingdon, UK and New York, U.S.: Taylor & Francis. pp. 347-373. ISBN 9780367622619 and 9780367622633.
    • Ferdinand, N. and Wesner, Simone and Chidzey, M. and Rossetti, G. (2021) . In: Ferdinand, N. and Kitchin, P.J. (eds.) Events Management: An international Approach, Third Edition. Hospitality, Travel & Tourism Management. London, UK: Sage. pp. 41-60. ISBN 9781529730791.
    • Wesner, Simone (2017) . In: Ferdinand, N. and Kitchin, P.J. (eds.) Events Management: An International Approach. Sage. ISBN 9781473919099.
    • Wesner, Simone (2013) . In: Childs, M. and Peachy, A. (eds.) Understanding Learning in Virtual Worlds. Human鈥揅omputer Interaction Series. Springer. pp. 117-133. ISBN 9781447153696.

    Editorial

    • Wesner, Simone and Woddis, J. (2022) . Journal of Cultural Management and Cultural Policy 8 (2), pp. 11-29. The Association for Cultural Management. ISSN 2701-8466.